Tales In The Honky-Tonks of Music City, Nashville Tennessee
By James Dean Fisher
Music City USA is a large southern city sitting in the middle of the country where a large percentage of the music recorded for radio and television is created and marketed. Many of the “hits” heard on the radio is and has been recorded in Nashville, Tennessee. The entertainment and recording industries work hand in hand with the writers, engineers and producers and musicians to get the songs and music recorded and out to the public. GAC and many other outlets play the songs for the music listing audience and music sales. This part of the music scene in Music City is the talk of many listeners and music buyers, yet, many of them never see how the music is recorded or where and know little about how it gets to the buying public. Music City is the heart of the industry but it is also the home of thousands of musicians that work in the industry and the road. They consist of singers, pickers, writers, roadies and engineers, producers and people that sell the products and sell tickets. Nashville is a melting pot for the mix that make up the music industry and the entertainment community called “Music City.”
( Read the rest of Jame’s story in damngoodtunes.com today! )
Archive for the Internet Radio Category
Tales In The Honky-Tonks of Music City, Nashville Tennessee
The Autumn season has brought us lots of great news and recaps of the past Summer’s events. Not all the news is fun to report as was the case this last month when the world lost two more artists who were either on the cutting edge or the head of their genre as we reported to you in the recent damngoodtunes.com. Eyedea, or Michael Larsen as known to those who knew him the most, a young American lost his life at a tragic early age while Gregory Isaacs of Jamaica who although had a good life with many records and world wide fans, was also way too young to die. But then, that’s not up for us to decide now is it? We never try to go into the preachy side of life or sway one way or another politically however we feel it is important to acknowledge the passing of artists and writers who have helped to shape our world with music and beats.
And so onward we must go and positive we shall be to bring you the news of all things music and particularly Indie.
Why you may ask should this matter? Why do we do this? What if not for money would we possibly call consideration in our mission. Simply the answer is that I had a vision saying there was a way to level the slanted playing field for songwriters and performing artists all over the world, and that was to provide free press and exposure for as many as we might. We began our journey in 2007 working in a small office slightly appointed , yet free from the hustle and bustle of Urban chaos. In that room we reached out to the world VIA this medium, our friend, the internet. And you responded. Bands, producers and engineers from all countries and all walks of life took notice of the fledgling DGT and found that we were real, accessible and ethical. We won your trust. Now we are read from all corners of the globe and you the fans and readers, the artists and bands and countless others who support the industry – you have given us the strength to carry on and take this publication to the next levels. And that we will do.
Watch this coming week of November when we bring you brand new articles and features. Peace to all!
Bruce J Maier
Create Your Badge
Have you heard of this? Do you understand it? What side of the fence should you be standing on? Read the text as it was written by Congress;
Internet Radio Equality Act – Declares to be ineffective: (1) the March 2, 2007, Determination of Rates and Terms of the U.S. Copyright Royalty Judges regarding rates and terms for the digital performance of sound recordings and ephemeral recordings; (2) the April 17, 2007, modification of that determination by an order denying motions for rehearing; and (3) any subsequent modification by the Copyright Royalty Judges published in the Federal Register. Replaces standards for determining reasonable rates and terms of royalty payments for public performances of sound recordings by means of eligible nonsubscription transmission services and new subscription services with a requirement that such rates and terms be established in accordance with stated objectives of the Copyright Royalty Judges. (Currently, rates and terms are required to distinguish among different types of eligible nonsubscription transmission services and include a minimum fee for each type.) Allows a minimum annual royalty for each provider subject to such rates and terms. Provides a transition rule for payment of royalties by providers of digital audio transmissions that would have been subject to the rates and terms nullified by this Act. Revises royalty payment provisions concerning the use of certain works in noncommercial broadcasting to include: (1) sound recordings; and (2) performance or display by nonprofit organizations and public broadcasting entities. Provides a transition rule for the payment by a public broadcasting entity to owners of copyrights in sound recordings. Requires a report to the Copyright Royalty Judges by the Assistant Secretary of Commerce for Communications and Information on the competitiveness of the Internet radio marketplace and the effect on Internet radio providers of proposed rate determinations in proceedings concerning: (1) public performances of sound recordings by means of the services described above; or (2) the use of certain works in noncommercial broadcasting. Requires the Federal Communications Commission (FCC), upon publication of the commencement of proceedings of the Copyright Royalty Judges to determine rates and terms under the statutory license described in this Act, to report on the effect of such proposals on localism, diversity, and competition in the Internet radio marketplace (including in rural areas). Requires a report to Congress and the Copyright Royalty Judges by the Corporation for Public Broadcasting (CPB) on the effect of such proposals upon public broadcasting licensees and permittees.